Over at The Word Cage, Mary Biddinger Contemplates Going Back to Paper

http://wordcage.blogspot.com/2018/01/return-of-page.html

This is something I’ve always been interested in. How do poets choose to write their drafts, and how does it impact the poem?

Personally, I love paper. It slows me down, makes me consider the words and sounds more closely. But when it comes to form, that really takes place on the screen, where I can see the whole poem. With my handwriting, there isn’t a whole lot of room in the notebooks I use to worry too much about form.

Revisions, too, usually take place on paper. After typing up and printing out the draft. Often, that translation between paper and typed poem also results in on-the-fly revisions.

Anyways, I’ve long thought about this (at least back to 2011 or so).

What are your preferences, and how do they impact your writing?

Welcome to YAWB

Maybe you came here from Twitter. Maybe from one of my defunct blogs (they’re still there though: Poetic Idealism and Poetry Thesis Musings) (I’m ignoring the tumblr thing).

I like the shape YAWB makes in the mouth, and the sound it makes in the ears:

Y

A

W

B

It’s wide open, like I hope this blog will be. I’ve imported the posts and pages from the blogs linked above, so all the history is there.

My first real blog post will be this Friday, and I’ll be sure to share it around Twitter at least.

*edited – corrected links to previous blog spaces.