Beyond the reading of colonial oppression (or subjugation) parallelism between Akiko’s marriage and the Japanese occupation of Korea in Nora Okja Keller’s Comfort Woman, resides the important parallel results of the same. The effects of the Japanese occupation from 1910 to 1945 (Mukherjee, 197) are mirrored in the experiences both Akiko and Beccah have in the United States. Keller’s representation of Akiko’s life in the “public restrooms” (108) (or comfort camps) helps to pull the stitches tight between these two images by presenting the reader with one character who experiences the results of both occupation and immigration. Keller reinforces the immigrant experience parallel through Akiko’s daughter, Beccah, who observes her mother’s unraveling. In addition to witnessing her mother’s “craziness,” Beccah manages to experience much of the immigrant condition despite living in Hawaii. If the reader were to understand Akiko and the other women and girls of the comfort camp as embodying the Korean nation, Beccah quite literally combines Korea and the U.S., resulting in a young woman who cannot quite locate her place of belonging. Although not as savagely abused as her mother, Beccah also experiences a dislocation, ironically only discovering place after Akiko dies.