Voice and the Sounds of Poetry

The ability to verbalize brings us out of the darkness. To express the self and find others who express the self removes isolation and argues for our humanity. The sounds to be made in the creation of a poem are at the root of the art. Stewart points out these things in “Sound” (59-105), and she emphasizes the necessity of verbalization in the creation of an individual. (As a side-note, in her summary of Dennett’s treatise, it is interesting that the theoretical cyborg or even the realistic intelligent ape qualify in the status of personhood (61-2)). Continue reading “Voice and the Sounds of Poetry”

On Reading Ashbery, Confusionism, and Intuitive Movement

Self-portrait in a convex Mirror
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A common quality of the readings, excluding the commentaries on Ashbery, is the sort-of stream of consciousness style. I write “sort-of” because these essays and poem are considered, detailed, and meditative. However, the quality of movement within them is intuitive and more felt than structured. The intuitive movement is especially visible in the stanza breaks in Ashbery’s “Self-Portrait in a Convex Mirror,” a movement from the painting to balloon (a shape similar to the convex mirror – but also to the dream in qualities of popping) to tomorrow to dreaming to the dream.  Continue reading “On Reading Ashbery, Confusionism, and Intuitive Movement”

Why Write?

In one way or another, this question has been coming up more and more lately.  With more of my friends learning I’ve just finished my first semester in an MFA program, I hear/see that question a lot.  Among my new friends at the program, the same question: Why are we putting ourselves through this?

Continue reading “Why Write?”