While I agree that robots are often used to symbolize the “other,” I think we as humans require that “other” to define ourselves as human. We cannot see ourselves unless we can define what we are not (Foucault, Derrida, etc.), but in doing this we often rely on other cultures, languages, or skin colors as the other.
In thinking about the virtual- and science- based fiction narrative, and its intersection with racial and postcolonial criticism, I questioned whether authors employ intentionality in making decisions regarding setting, theme, characters, and etc. While Nakamura’s article implies intentionality at least to a degree, especially for Gibson’s settings (64), and Stephenson’s cultural institutions (70), it seems that the rest of the story characteristics flow from the creative intuition. Continue reading “Techno-Orientalism and the Matrix”