How Nanotechnology (mis)Places Government in The Diamond Age

One thing that intrigued me was the disparate social setups portrayed in Stephenson’s novel. Very quickly, the “traditional” Chinese culture still operated a rudimentary government: developing law, maintaining a civil court system (of a sort) as well as executive functions in the form of police. In a Western trope of the East reaching back to Marco Polo, the executive head remains cloaked in secrecy and indirect. Continue reading “How Nanotechnology (mis)Places Government in The Diamond Age”

Techno-Orientalism and the Matrix

In thinking about the virtual- and science- based fiction narrative, and its intersection with racial and postcolonial criticism, I questioned whether authors employ intentionality in making decisions regarding setting, theme, characters, and etc. While Nakamura’s article implies intentionality at least to a degree, especially for Gibson’s settings (64), and Stephenson’s cultural institutions (70), it seems that the rest of the story characteristics flow from the creative intuition. Continue reading “Techno-Orientalism and the Matrix”