And One More Wallace Stevens

Summed up, our position at the moment is that the poet must get rid of the hieratic in everything that concerns him and must move constantly in the direction of the credible. He must create his unreal out of what is real.

If we consider the nature of our experience when we are in agreement with reality, we find, for one thing, that we cease to be metaphysicians. (58)

Necessary Angels, 1942

Wallace Stevens

The philosopher proves that the philosopher exists. The poet merely enjoys existence. The philosopher thinks of the world as enormous pastiche or, as he puts it, the world is as the percipient… But the poet says that, whatever it may be, la vie est plus belle que les idées. (56)

Necessary Angels, 1942

Cross-Post with Wallace Stevens Encounters

As I previously wrote here, I intend to follow up on the ideas I wrote about in the Introduction to Wallace Stevens Encounters. This is that post.

In that post, I mentioned that Pattiann Rogers expands Stevens’ ideas in her essay “Cosmology and the Soul’s Habitation”; however, although her ideas line up and extend Stevens’, she does not specifically mention his name. Perhaps Stevens’ theory has become so ingrained as to be an accepted part of the modern condition of humanity; in Rogers’ words, a piece of our contemporary cosmology.

To Continue, Read Here

More on Wallace Stevens’ Concept of the Pressure of History

As I previously wrote here, I intend to follow up on the ideas I wrote about in the Introduction to Wallace Stevens Encounters. This is that post.

In that post, I mentioned that Pattiann Rogers expands Stevens’ ideas in her essay “Cosmology and the Soul’s Habitation”; however, although her ideas line up and extend Stevens’, she does not specifically mention his name. Perhaps Stevens’ theory has become so ingrained as to be an accepted part of the modern condition of humanity; in Rogers’ words, a piece of our contemporary cosmology. Continue reading “More on Wallace Stevens’ Concept of the Pressure of History”

Introduction

As Part of a class in my MFA program titled Literature for Writers, Professor Janet Peery asked for a final project interrogating our semester-long study of our choice of writer. At the beginning of the seminar, I chose Wallace Stevens as a poet I should probably know more about, as my encounters with him have been few and far between.

After attempting several different projects, including a couple of essays, I decided to go a little more playful: bring Stevens into contemporary America and see what happens. The posts included under this category are the results.

Continue reading “Introduction”