Intention and Questions

When I write, I struggle to locate myself within a concept of self.  If identity is dependent on understanding one’s relationality to all that is around, and writing is dependent on the ego, then must the act of writing assume a defined identity?  As I write more, I feel a more concrete definition approaching… a better word might be concept.  The concept of self avoids the immutableness implied by definition.  It’s fluid, and therefore changeable.

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On Reading Ashbery, Confusionism, and Intuitive Movement

Self-portrait in a convex Mirror
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A common quality of the readings, excluding the commentaries on Ashbery, is the sort-of stream of consciousness style. I write “sort-of” because these essays and poem are considered, detailed, and meditative. However, the quality of movement within them is intuitive and more felt than structured. The intuitive movement is especially visible in the stanza breaks in Ashbery’s “Self-Portrait in a Convex Mirror,” a movement from the painting to balloon (a shape similar to the convex mirror – but also to the dream in qualities of popping) to tomorrow to dreaming to the dream.  Continue reading “On Reading Ashbery, Confusionism, and Intuitive Movement”

Why Write?

In one way or another, this question has been coming up more and more lately.  With more of my friends learning I’ve just finished my first semester in an MFA program, I hear/see that question a lot.  Among my new friends at the program, the same question: Why are we putting ourselves through this?

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