Again, I find myself drawn to Stewart’s discussions in Poetry and the Fate of the Senses, but this time am finding it more difficult to locate a continuity between this reading and readings from Hoagland’s Real Sofistikashun or Longenbach’s The Poetic Line. Hoagland’s essays, especially, seem to want to break the connections seen in “Facing, Touch, and Vertigo,” while at the same time they are reflexive and recursive. At the same time, Hoagland points to the idea that those poems which become completely disconnected or overly aware of the connection between writer and reader, which invoke complete vertigo, are necessarily less successful.
The Robot as Other / The Other as Self-Definition
While I agree that robots are often used to symbolize the “other,” I think we as humans require that “other” to define ourselves as human. We cannot see ourselves unless we can define what we are not (Foucault, Derrida, etc.), but in doing this we often rely on other cultures, languages, or skin colors as the other.
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How Nanotechnology (mis)Places Government in The Diamond Age
One thing that intrigued me was the disparate social setups portrayed in Stephenson’s novel. Very quickly, the “traditional” Chinese culture still operated a rudimentary government: developing law, maintaining a civil court system (of a sort) as well as executive functions in the form of police. In a Western trope of the East reaching back to Marco Polo, the executive head remains cloaked in secrecy and indirect. Continue reading “How Nanotechnology (mis)Places Government in The Diamond Age”
Voice and the Sounds of Poetry
The ability to verbalize brings us out of the darkness. To express the self and find others who express the self removes isolation and argues for our humanity. The sounds to be made in the creation of a poem are at the root of the art. Stewart points out these things in “Sound” (59-105), and she emphasizes the necessity of verbalization in the creation of an individual. (As a side-note, in her summary of Dennett’s treatise, it is interesting that the theoretical cyborg or even the realistic intelligent ape qualify in the status of personhood (61-2)). Continue reading “Voice and the Sounds of Poetry”
Techno-Orientalism and the Matrix
In thinking about the virtual- and science- based fiction narrative, and its intersection with racial and postcolonial criticism, I questioned whether authors employ intentionality in making decisions regarding setting, theme, characters, and etc. While Nakamura’s article implies intentionality at least to a degree, especially for Gibson’s settings (64), and Stephenson’s cultural institutions (70), it seems that the rest of the story characteristics flow from the creative intuition. Continue reading “Techno-Orientalism and the Matrix”
On Reading Ashbery, Confusionism, and Intuitive Movement
A common quality of the readings, excluding the commentaries on Ashbery, is the sort-of stream of consciousness style. I write “sort-of” because these essays and poem are considered, detailed, and meditative. However, the quality of movement within them is intuitive and more felt than structured. The intuitive movement is especially visible in the stanza breaks in Ashbery’s “Self-Portrait in a Convex Mirror,” a movement from the painting to balloon (a shape similar to the convex mirror – but also to the dream in qualities of popping) to tomorrow to dreaming to the dream. Continue reading “On Reading Ashbery, Confusionism, and Intuitive Movement”
Shteyngart’s SSTLS as Commentary on International Relations
I am mostly impressed with Gary Shteyngart’s Super Sad True Love Story. Its reflection on and send-up of our current media-obsessed, gadget-driven culture seems a clear indictment of where we are headed if we continue in this direction, but I feel the author let a few things slip through the cracks. For instance, although Shteyngart addresses the issues of government contracting in its current form, it is highly improbable that a foreign corporation (Staatling-Wapachung Corporation) would ever win the sort of contract with the military he implies. The best example I can think of is the Air Force tanker plane contract, which eventually went to Boeing over McDonald-Douglas because of the latter’s use of an Airbus airframe. Continue reading “Shteyngart’s SSTLS as Commentary on International Relations”
The Effects of Digital Technologies on the Composition of Poetry
Okay, I know, I know. But the title has already been established by nearly a semester of thought & etc.
At any rate, this post will hold links to the current status of this research, and I hope to maintain this for quite a while, in addition to continuing the study… upon receiving approval from ODU’s IRB, of course (and by IRB I mean Institutional Research Board, not IRB).
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Research Status Entry
Investigating Technology’s Influence on Composition, the Long View
These faults may or may not influence their findings, but I am leaning toward the concern that each author had already set his writing style before the selected samples were written.